The wanderings in 20th century French chamber music for oboe, bassoon and piano are full of contrasts and variations. This is because French culture, which is particularly fond of woodwinds, often combines them with extraordinary inspiration. The coalition of three distinguished Greek soloists in a program that is both sensual and witty predisposes us to an evening of energetic listening, as the sharp humour of Pierre-Max Dubois’ rhythmic Sonatina-Tango leaves no room for complacency, while composers with an experiential knowledge of the instruments, such as Paris Opera oboist Theodore Lallier, conjure up ingenious dialogues between the winds and the piano. Two of Poulenc’s leading works, the Sonata for oboe and piano and the Trio for oboe, bassoon and piano, dedicated to Manuel de Fagia, have a special place in the programme. These works highlight Poulenc’s cabaret influences and draw us into the world of dreamy contemplation that characterizes the singing of the French soul.